29 March 2010

WHAT'S LEFT TO SAY ABOUT ELLA?

Nothing.  And yet, everything.  NPR is running an occasional series called “50 Great Voices,” and today Ms. Fitzgerald was highlighted.  (link to story below)

Just yesterday I was having lunch with two dear friends, one of whom I hadn’t seen in more than 15 years (John).  The other?  Well, the other’s been a pal for over 20.  He’s my culture guy, my music bud, my movie partner (Ron).  Many years ago, the three of us worked together at what many call the country’s flagship PBS station.  We converged at a perfect time in our lives.  I was just out of school and Ron and John had a couple of years on me, but not so many that we couldn’t relate.  Ron is a music savant.  John is a musician.  I was into typical late ‘80s alt pop, but wanted to expand my horizons.  Along come these two.  John, at the time, was also the choral conductor at nearby Church, and his knowledge of classical, jazz and show tunes far exceeded anybody in my small post college world.  And Ron, Ron never stopped listening to new music.  He was a shark.  Never wanting to become a fogey who only listened to what he listened to as a teenager, he made it his mission to stay current.  These were my teachers.

Prior to graduation, my only experience of jazz and swing came from the summer I worked at Banana Republic.  Before they became the Gap for grownups, BR billed itself as “travel & safari clothing.”  Their in-store soundtracks were a lesson in WWII and post war music history.

Yesterday’s conversation inevitably turned to music, and I, still, all these years later, felt like the rookie at the table.  We started to reminisce, and it was John who pointed out that together, we saw some of the greats - Sarah Vaughn, Betty Carter and Carmen McRae - culminating in a trip to Tanglewood to see Ella.  We thought we were lucky then.  But yesterday, over dim sum, able to unearth and share these moments all these years later, we knew it.

Listen to Susan Stamberg’s excellent profile on Ella here:

26 March 2010

DECONSTRUCTING EUNICE

Recently I was chastised on Facebook by a friend of mine.  She posted the famous “Sorry” sketch from The Carol Burnett Show, and I piped in with the thought that Eunice (of Eunice, Ed & Mama) was a tragic character, and the underlying sadness of those sketches is part of what made them so compelling.  She told me I was taking away the funny.

I’ve been mulling this exchange ever since.  As a comedian and writer, I find nothing more annoying than intellectual posers taking the fun out of a pie in the face by insisting that it is an attempt to make violence palatable.  A pie in the face is funny.  We all know that.  Eunice ringing that little bell and yelling in that marvelous cracker screech, “Sorrrryyyy!” is hilarious.  Her delivery, that dress, those shoes, Harvey Korman and Vicki Lawrence (that wig!  that ass!) determined to get each other to bust up laughing is pure joy.  It’s the comedy that has informed an entire generation of comedians, improvisers and sketch writers. 

But to deny Eunice’s personal hell is to do a disservice to a monumental piece of writing and acting. Eunice was dealt a lousy hand.  She spends every moment of those sketches trying to win a game she is destined to lose – her mother’s approval, a supportive husband.

Perhaps I have over personalized it because I had a mother who was undercut by her own mother her entire life.  I have seen first hand the reality of a woman who felt trapped between her husband, in laws, mother and children.  My mother and I watched The Carol Burnett Show together every Saturday night.  She laughed out loud at those sketches too.  She laughed not only at the way Ed said, “slide,” but at the larger truth behind Mama re-cleaning the kitchen table.  Eunice suffered all the indignities her husband and mother (and in other episodes, her "better" sister Ellen, played by Betty White) threw at her.  When she would lash out and express her rage, nobody would listen.  Her feelings never validated, her only recourse was to sit down, shut up, and play another hand, hoping maybe that this time, she’ll win.